RZA, Ice Cube and More Shine Bright at Pan African Film & Arts Festival
LOS ANGELES — For more than three decades, the Pan African Film & Arts Festival has served as a cultural anchor in Los Angeles. This year, the 34th Annual Pan African Film & Arts Festival (PAFF) once again proved that Black storytelling is not a trend — it is an institution.
From opening night to closing weekend, theaters across Los Angeles were filled with filmmakers, artists, and audiences celebrating stories from across the African diaspora. Red carpets were lined not just with celebrities, but with community — a reflection of PAFF’s long-standing commitment to centering culture over spectacle.
Hip-hop pioneer and filmmaker RZA helped open the 2026 festival with a special screening of his action-thriller One Spoon of Chocolate, drawing fans and film lovers eager to see the multi-hyphenate artist’s latest work.

West Coast rap icon and entrepreneur Ice Cube stepped onto the red carpet in support of longtime friend, Chicago music legend George Daniels, at the Los Angeles premiere of Uncle George: The Music Man. His appearance underscored PAFF’s continued reach across film, music, and popular culture.

Actor, producer, and activist Jimmy Jean-Louis, a longtime PAFF ambassador, attended opening night and a celebratory screening of his beloved film Phat Girlz, marking its 20th anniversary.

Comedian and actor Lil Rel Howery brought his signature humor and charisma to the West Coast premiere of The Class Reunion, where he stars. Meanwhile, Academy Award-nominated actor Don Cheadle showed up in support of his daughter, Imani Cheadle, whose short film Blue screened during the festival — a reminder that Black storytelling is both generational and deeply personal.


Throughout its run, PAFF transformed Los Angeles into a global hub for Black cinema and art, welcoming filmmakers, industry executives, visual artists, poets, and audiences from Africa, the Caribbean, the United States, and beyond. The curated slate included narrative features, documentaries, shorts, and animated works exploring identity, resilience, innovation, and the complexity of the global Black experience.
But PAFF is more than premieres and red carpets. Post-screening Q&As and industry panels created space for emerging filmmakers to engage directly with audiences and professionals. The festival’s multi-day ArtFest also generated economic opportunity for artists and small businesses, reinforcing its role as both a cultural and community institution.
“For 34 years, PAFF has been a platform where our stories are centered, protected, and celebrated,” said Executive Director Oduduwa in a statement. “The continued support from artists, industry leaders, and audiences demonstrates that authentic Black storytelling resonates globally and remains essential to the cultural landscape.”
As the curtain closed on its 34th year, PAFF reaffirmed its standing as the nation’s largest and longest-running Black film festival — and as a cornerstone institution in Los Angeles. Planning is already underway for next year’s milestone 35th festival.
For more information, visit paff.org.